Gérard SEKOTO: In Memoriam (1913-1993)

I

Would that anger subside
anger fed on pride

pride of I against You
who is right: I not YOU
meum et tuum

Some words hastily released on the verge of angry pride
Tear from us a part of our flesh a part of our cells
Leaving us lesser men forever pitted against the I in You
forever wanting to be right
I above You

You may not - yes, now I know you didn't - have meant it
Your words were stony arrows sunk in the mud of my hurt
splitting even before they found the unintended target

There may yet have lingered then a little bit of the malin in you
That ultimate grace-saver in your embattled loneliness
I didn't stop to think
I had to show you I was hurt
I didn't realise your hurt was legendary
already formed and contorted in the aeons of darkness
each in our indelible separateness

Your age your despair your self-abandonment
in the gorge of medicines
in the crises that felled you
careering through terrifying electric storms
leaving you year after year worsted
wiping duster-strokes of your memory clean

I didn't stop to think

II

Your demise is the passing of an age
is the passing of a people's pain
unrequited

In your veins you take with you a hundred years
of hurts and slings
of dismemberment and mindlessness
of lost chances anguish and despair

though
driven into your lonesome corner
upright against the inroads of a Rhodes
or the pitted power of Buthelesis

finding in the milling Seine
in the plucky rhythms of a black-and-white keyboard
in the hidden skeins of your eyes
a pulse

beating with the heart of downtrodden generations
the infinitely pulsing look of defiance
that ultimate refusal of defeat

III

Long are the years you have lain your easel down
Longer still the sun at Botshebelo burnishing your skin

In the soft autumnal retreat of your heart
You could still hear children playing in the mission station
You saw with what glee they jigged in Sophiatown
And bled for your brothers enchained in District Six

Away in the quiet slumber of a land you loved
You wrought the blazing colours of a secret rage

of man's will thriving in his limbs
of an enduring passion for hope
in the dance of stoic joyousness
in the embrace of a Mandela

Not a shaft of light escaped your hunt for
traces of your childhood
nor
were lost the spare airs that filtered through shanty-towns

Your world was a world of people
simple people
going about their chores with premeditated caution
oppressed people
endowed by need with the guile for survival

People for whom you lived
People who live on in your veins
uninterred in your carved canvasses

(Poem read by the author at Sekoto's funeral in Neuilly-sur-Marne, France)

From: 
T. Wignesan




ABOUT THE POET ~
If I might be allowed to say so, I think my "first" love was poetry. Unfortunately for me, the British curricula at school did not put me in touch with the Metaphysical Poets, nor with the post-Georgian school. Almost all the school texts after World War II contained invariably Victorian narrative poems and some popular examples of Romantic poetry. I chanced upon a selection of T. S. Eliot's and Fitzgerald's Rubaiyat of Omar Khayyam, and a little later on Pope's An Essay on Man and Chaucer’s Canterbury Tales. That did the trick. Yet, I regret not having taken to prose in earnest earlier than the publication of my first collection: Tracks of a Tramp (1961). There's nothing like trying your hand at all kinds of prose exercises to come to grips with poetry. Or rather to see how poetry makes for the essence of speech/Speech and makes you realise how it can communicate what prose cannot easily convey. I have managed to put together several collections of poems, but never actually sought to find homes for them in magazines, periodicals or anthologies. Apart from the one published book, some of my sporadic efforts may be sampled at http://www.stateless.freehosting.net/Collection of Poems.htm


Last updated July 05, 2016