Master Valluvan, the long-misunderstood Tamil Mentor

“The Kurral owes much of its popularity to its exquisite poetic form. A kurral is a couplet containing a complete and striking idea expressed in a refined and intricate metre. No translation can convey an idea of its charming effect. […] The brevity rendered necessary by the form [composed in the Venpa metre] gives an oracular effect to the utterances of the great Tamil ‘Master of the sentences.’ They are the choicest of moral epigrams. […] Tiruvalluvar is generally very simple, and his commentators very profound.”
Rev. G.U. Pope, Former Fellow of Madras University

[Pardon these futile measly words from your great Potiya height: they can hardly belittle your true worth.]

Under what leaky hutment roof by stamped-mud floors
trembling clair-oscuro straw-wick kuttuvilakku
on the stark anvil of crisp phrase and sparse syntax
by the raging nama-nir rhyming brine
at Mayilapur’s S.Thomé sandy doors
while peacocks danced to your innate pulsating chimes
have you chipped away at uncut gems

Those the Yavanas brought with the monsoons
or such as your sea-daring captain friend Elela-Cinkan’s
Even those the Christian missionaries preached
in daredevil enticement
after St.Thomas fell to a vel stuck in his bosom
or of
those like you who were stamped underfoot

Caste in cast-iron strictures
Priest only to the proclaimer paraiyar drum-beaters
The warp and woof of intricately woven venpa verse
elevating your weaving clan to fresh artistic heights

YET
in the humbled ways of your birth
on whose steps have you pitched your ears
whose wisdom have you had to pilfer
filter
whose ways have you had to ape
whose mere thoughts have you then had to set aright
ennoble
and remould into inextinguishable lines

Or had you tread the ahimsa path of gentle-foot Jains
Treading gently the earth for fear of loping boot pains

SEVEN STARK WORDS
Seven alliterative blockbuster words struck so
they rhymed initially in juxta-positioning lineal parallels
pausing but in the fourth
to resume breath in the fifth
Leaving the interstitial morphemes in resonating ellipses

The economy of your parsing has wreaked havoc down the ages
in all trans-explicatory tongues
Tough-minded men come from afar
with other gods to serve
and sacrifices to make in the name of their Lords
bent your versification to limp rhyme
and left meaning a hung pursuit
in the hands of plagiarists professors preachers
who
not knowing nor divining the reason for your craftsman’s
concatenation of weighted phonemes
advanced theories for your elastic pregnant mind
strung myriads of pages in exegeses
(much perhaps to your amusement now)
each staking a claim to posterity
the villainous hanging on your lips

In a time devoid of papered learning for the poor
When to be born a Sudra or Pariah was a sin
When masters were those top-heavy manically-mantric Brahmin priests
Preying on the duped loyal sycophantic Vaishyas
wishing to earn karmic merit with their agricultural gain at their altar feet
such servant-financers as they by legions now lay their souls down
as even the long-gone royally leisure-dispensing Kshaktriyas

how would he who sought the spread of knowledge
not seek to encapsulate learning in mnemonic couplets
arranged according to rigid design
for those who could not count either

Ten fingers in the hand so
Ten the number of facets of a thought
a subject
a theme
even if theme subject thought were stretched too thin

Whether or not relations with the uncultured enamour
Do not seek to succour what should sour

What does it matter if you gain or lose inferiors
Who feather their own nests and leave you in a mess

Those who look to the benefit that accrues from friendship
And those who covet largesse are thick as thieves

Better be content to walk alone than surround yourself
With friends who’d ditch you like wild stallions in battle

It’s better to sever than solder vile ties
With the petty-minded who’d fail you in need

By far it’d serve you better to be snubbed by the wise
Than be warmed by the company of narrow-minded fools

It’s infinitely more useful to bear your enemies’ scorn
Than court raucous revellers who’d warm you up with guffaws

Friends who’d proffer help remonstrate and find fault
Might as well shun them with scarcely a farewell

Friends who please by word and yet act otherwise
Crop up as a rude shock even in dreams

Turn away from the friend who snuggles up in private
While he seeks to denounce you in a public place
[Tirukkural, Chapter 82: “Evil Friendship”]

No-one contests your calligraphic diamond cutter’s skills
Nor your codifier rôle of existing customs beliefs
of kingly comportment
of the wife’s place
of manner of securing friendships
of the obtention and dispensation of education
of the seductions in the dainty maiden’s coyness
Nor of your infinite wisdom of the times
Nor of your observation of the passing of life about you
Nor alas! of your inveterate nay obsessive need to pontificate
in what is evident to the even half-baked

PERHAPS

What mattered was to get the lesson through
even one in ten was well worth the while
if remembered by the unfortunate by birth
Who never traversed the threshold of class and caste
who never even buckled exceeding numbers on their toes

To you the ten-by-tens by one-hundred-and-thirty
perhaps you planned a florilège
in old age
by weeding out for posterity’s privileged classes
the few quoted over and over
katka kasatara karka karrapin
nitka atatkut taka

vilampu suttapun arum arate
navinal sutta vatu

and you might never have thought
the mighty today are like those trodden poor of your day
who
at least were shackled to ignorance by force by godly fear
a racially discriminating Overlord

now the privileged in blindness give you lip-service
and a lot of money
hoping by this gesture to earn your merit
not earn YOU merit
and the society’s accolade

You remain abused still
by the undistinguishing crowd
who upon the mention of your name
rise to feel proud
of what then
than
in their shored-up selves
of belonging in
the self-same pigment and tongue

None of your real worth passes into them
Nor the reason for your epigrammatic lines

Pray
Should I then beg forgiveness for this affront

Some apart
much remains redundant
obvious
inapt by way of pointing to fresher vistas
and these that follow the rarity of your verse
imbibe nothing else from this age’s handy cornucopia
of instant wisdom

Your lines served an eminent purpose in your time
now we bed our minds down by encyclopaedic libraries
we live on another planet
Your chain-ganged lines served to teach the meek
the lame of mind
the dislocated of your time

Yes some still wallow in the same myth
today
not from want of will
but from the fear of rebirth
imprisoned in conditioned belief

and the essor of Dravidian identity
only defering to the feigned purity of Aryanising blood
reverts to the same mythic belief
some kind of imagined power of breed

History is in the past
It cannot help the present to liberate itself
If one has not understood the difference
If one has not disowned and let fall meaningless myths

If you dear Valuvan lived in these times
Would you not have disowned your own lines

well perhaps some or more
not all finding their way into a florilège of your choice

for you know how love in the third part changed with moeurs
changing with the times
so has the art of governance
and the unconscionable ways and practices of the artha classes
other precautions more pressing than mere friendship
would have compelled you to jettison many a couplet

Who knows even your first ten would have found their way
into a bin
ethical lines of advice
would turn sour in today’s ear

No child would heed to the letter your admonitions of behaviour
Nor no wife take her place in the humiliating role of kitchen-helper
No king will base his reign on your strict plans of concern for etiquette
No youth seek virtue in the puritanical preachment of bygone observances

One singular contention
No peasant revolution
No women’s liberation
No religious reformation
grace your pages
the establishment the status quo the traditional hierarchy the Almighty
All find mindful foundation
in your ardent didacticism
and extend licence to those who cry sacrilege
in the coming dismantling of the clans of castial power

Is poetry only meant for teaching what is time-honoured
what is authorised
what seeks not to rock the ship of fate

Helas! My universally-renowned peerless ancestor!
I’d like to think
You’d be the first to have recognized the always changing world
The first to have accepted the parting of ways
For your intelligence your foresight and hindsight
Your immensely powerful quill
would have sought other remedies
other means to convince
a wayward world
a world far too gone and worldly-wise
to hatch the nuances of your admonishing word
all afresh

N’empêche your name is a comet
hurtling down the ages

From: 
T. Wignesan




ABOUT THE POET ~
If I might be allowed to say so, I think my "first" love was poetry. Unfortunately for me, the British curricula at school did not put me in touch with the Metaphysical Poets, nor with the post-Georgian school. Almost all the school texts after World War II contained invariably Victorian narrative poems and some popular examples of Romantic poetry. I chanced upon a selection of T. S. Eliot's and Fitzgerald's Rubaiyat of Omar Khayyam, and a little later on Pope's An Essay on Man and Chaucer’s Canterbury Tales. That did the trick. Yet, I regret not having taken to prose in earnest earlier than the publication of my first collection: Tracks of a Tramp (1961). There's nothing like trying your hand at all kinds of prose exercises to come to grips with poetry. Or rather to see how poetry makes for the essence of speech/Speech and makes you realise how it can communicate what prose cannot easily convey. I have managed to put together several collections of poems, but never actually sought to find homes for them in magazines, periodicals or anthologies. Apart from the one published book, some of my sporadic efforts may be sampled at http://www.stateless.freehosting.net/Collection of Poems.htm


Last updated July 05, 2016