Two Ghosts & the Diesel Crow-choir

by Les Wicks

Les Wicks

Black highway, reflective
"1" & the moon exchanged stares
across truckless distances of space.

Me — four hours standing, just past the bridge
dropped off
from a country town lust adventure, getting late
hitching south back
to the Old Big Smoke.

Past 11, past 12.
North coast cold rose up as if
the river below shed a frozen skin/
like it was throwing out a net of itself
to catch a night-stunned world.

& out of that mist came two women.

I'd been dancing on the spot, singing to an emptiness
in that free solitude.
Staying warm too,
part of a truth.

Straight dissection of road
up to the bridge. The following dip
had become a reprehensible welcome mat.
No traffic for almost 30 minutes &
no nibble for hours not
even a hesitation before the gush of passing air,
eruption of roadstone.

Then these two
distinct beneath moonlight, one
in a long dress, other in jeans they
ambled across the bridge, occasionally leant into touch
as they shared secrets, drunken bump suggesting
history & trust.

There was an unease to the picture, as
though the road was suddenly crowded, some
blueprint ignored to be three people
lingering in this isolation & time.

Putting down the mild hysteria of waiting
I called out welcome, moved towards them.

In the distance
a turpentine smudge of light grew
to the conflagration of hibeam
& the diesel crow-choir wailed
as a truck became a cannon
& the valley was scoured in panicked shadow.

Revealing an empty bridge.

Five times those women walked —
not once made it past that long concrete-bone bridge
before vanishing under headlights.

Did they have a story?
Bodies that also never passed this creek,
perhaps one night flesh too was pierced by light
as the formwork pavement gave way to weeds & sand
on this bitter highway.

How much pain to affix them to the tarmac
beyond even life?
Did they hear me call out,
consider this man with his bag edging closer
or was all this entirely locked within themselves,
an audience meaning nothing?

I jumped, a flea through the hours.
Trapped
between these repeating visions
& the echoes of earlier gropings at the local cemetery,
the contact for both so
hungrily sought &
the provision in the end of no sustenance.
We are wrapped in urges, impassable moments
repeated across time.

Still the night-tinted waves of grass
one beaten gum & moon.
Heartfelt
on asphalt around 5 a salesman pulled up.
I had a story to tell & told it hungrily;
as though this needed to be out,
quickly reduced to
words & the artificial normality of shared commentary.

He was called Bob, I think, suggested coffee at a diner...
barely 6 kilometres
the woman there serving no nonsense
as the thick brewed coal on dawn formica-morning did it all.

Moon-ridden,
fragments of me were still waiting
for those thieving headlights.

Shaky hands & swollen oyster eyes
reached back again
to the bridge,
to the endless wander of two women
caught forever on a river's raw hook.

From: 
Australia




ABOUT THE POET ~
Les Wicks — For over 50 years Wicks has performed widely in Australia & internationally . Published/broadcast in over 500 different channels, magazines, anthologies & newspapers across 39 countries in 17 languages. Has conducted workshops around Australia, edited various projects over the decades, latest being Class (2024) & runs Meuse Press which focuses on poetry outreach projects like poetry on buses & poetry published on the surface of a river. His 15th book of poetry is Time Taken – New & Selected (Puncher & Wattmann, 2022). 2024 Boao International Lifetime Achievement Award, 2025 Silk Road Oceanian Poet of the Year.

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Last updated July 26, 2025